![]() At times we had horrible rumble from vinyl which was causing too much low end noise interfering with the overall sound, something I never get at home So working out the best value purchase is hard.Ģ. I think the tomei is the star, sadly hearing an M6 Special and M8 back to back is practically impossible. I think the Tomei deserves better than a standard M6, not sure why I say this but it felt to me that this could be the case. ![]() The new volume pots give much better workable range, much needed.ġ. We played the Previn Rhapsody in Blue ASD recording, WOW, WOW just beautiful really really beautiful I know this well and it was an amazing reproductionģ. Energy, I never thought it say a Jinro sounds lacklustre the dynamics of the M6/ Tomei is profoundly different much more energised, drums strong guitar chords, particularly listening to acoustic was really much more emotionally engaging. Tonality, so much more tonal colour richness in instruments and voices, for want of a better word, really beautiful a top to bottom cohesion that I didn't know was missing on the Jinro but hearing once heard can't be unheardĢ. ![]() both amps running standard psvane tubes.ġ. so it took me some time to get a feel for the room and the system in general. AN-E SPE.įor me this is very different to home with lp12, (Etna SL Lambda, Radikal2, Karousel, stilleto) Burmester 100 phono and Jinro into Avantgarde horns. Sources CD2 integrated and TT3 with io1 arm three and PSU4. So the system I heard as M6 Balanced Phono (not special as originally anticipated and Tomei Kensai.
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